Bloody truth: Blood & Sinners reveals racism and vampires!
Bloody truth: Blood & Sinners reveals racism and vampires!
Clarksdale, Mississippi, USA - The film world has produced a new highlight: "Blood & Sinners" by Ryan Coogler, which eats in the hearts of the spectators. The upcoming strip, which is due to reach his audience on May 31, 2025, takes classic vampire clichés and at the same time takes a critical look at the racist structures in America. Like TV-Media , the film deals with the historical persecution of black entrepreneurs and artists with white mob-gewalt.
The focus is on the character Remmick, an Irish immigrant who had to have humiliating and violent experiences in the society dominated by Anglo-Saxons. Vampirism is not only presented as a horrific threat, but also develops as a symbol of freedom and self -defense. The bloodthirsty horror spectacle begins calmly, but convinces with a thrilling third act that comes up with a bloody end and an epilogue end.story in the 30s
The plot of the film plays in 1932 in the Mississippi Delta, a time that is shaped by the aftermath of slavery. Even if this was officially abolished in 1865, the black population had to continue to suffer from Jim Crow laws that consolidated racial segregation and discrimination. Despite all the adversities, twin brothers try to return to their hometown "Smoke" and "Stack" from Chicago to realize their dream of a "Juke Joint". You will learn great support from the local blues musicians, including the talented young priest's son Sammie.
The opening of the dance scales, which is intended as a safe space for the black community, quickly becomes great success. White musicians who appear in the "Juke Joint" are peaceful, but radiate a strange, almost demonic light. This subtle tension is a central part of the cinematic narrative, as well as Berliner Zeitung determined.
cultural appropriation in focus
Cohogers film recognizes the topics of cultural appropriation and addresses the discrimination against black people. The vampire becomes a metaphor for white dominance and exploitation. These complex discussions about cultural identity and the examination of cultural appropriation are taken up by scientists such as Jens Kastner. It is about how relatives of dominance culture, i.e. the white society, take over cultural forms of expression of marginalized groups without appreciating their historical contexts. Kastner emphasizes that solidarity between different groups is necessary to fight discrimination. This is a thought that is also being treated in detail in Deutschlandfunk
"Blood & Sinners" appears as a dazzling example of such a critical argument that can both maintain and stimulate thinking. Coogler, who already caused a sensation with "Creed" and "Black Panther" ", brings a strongly occupied actor team to the screen, including Michael B. Jordan in a double role as a smoke and stack as well as Hailee Steinfeld, which shines in the role of femme fatal.
The ethno-cultural elements and the powerful music of Ludwig Göransson, the blues, hip-hop and more, round off the whole and promise a gripping cinema experience. It remains to be seen how the audience will react to this multifaceted process - it will be exciting!
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| Ort | Clarksdale, Mississippi, USA |
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